Swift’s now-frequent collaborator Jack Antonoff credits her as the first person to take a chance on him as a producer with “I Wish You Would” and “Out Of The Woods”; both tracks exemplified how future Antonoff-produced songs would sound on albums like reputation, Lover and Midnights. The night Red lost the GRAMMY for Album Of The Year in 2014, Swift decided that her next album would be a full-on pop record. Commercially, Red debuted at No. 1 on the Billboard 200 and sold 1.2 million copies in its first week, becoming the fastest-selling country album and making Swift the first female artist to have three consecutive albums spend six or more weeks at the top of the chart. Following the more country-influenced Speak Now, some critics and fans found the pop songs on Red were too pop and the lyrics were too repetitive, possibly indicating that she might be selling out.
Oldfield was rewarded for helping to scar a generation of moviegoers for life when a condensed version of his eerie masterpiece picked up the Best Instrumental Composition GRAMMY in 1975. And the soul legend further leaned into its supernatural theme in 2013 when he appeared as a witch doctor in a Bud Light Super Bowl commercial soundtracked by the ominous chart-topper. Along with giving GRAMMY gold to the likes of Smashing Pumpkins, Slayer and Vampire Weekend, the Recording Academy has embraced the odd musical spooktacular in several forms. “I have to appreciate ‘Bam Bam.’ I have no problem talking about it because it’s mine. I did the song, so I’m not tired of talking about it. I’m not tired of playing it either,” Sister Nancy betista casino says. “Mad Professor is someone I look up to. He’s a genius, and I love working with him,” Sister Nancy adds. She continues to release new music of her own, though she believes in letting projects simmer before embarking on something new.
She didn’t want to be just “another girl singer” and knew writing her own songs would be what set her apart. Every album era has seen Swift reinvent herself over and over, which has helped pave the way for artists to explore other musical avenues. A once-in-a-lifetime generational storyteller, one could argue that she is music’s modern-day maverick, constantly evolving both her music and the culture around her. Sadly not a tribute to the classic ’60s sitcom starring Elizabeth Montgomery, Bewitched is instead a self-described “love album” that helped Laufey surpass Björk and Sigur Ros as Iceland’s most streamed artist.
The singer/songwriter also picked up a Best Traditional Pop GRAMMY in 2024 for her second LP, an immaculate collection of jazz, pop and classical that bridged the gap between Gen-Z and the Great American Songbook. Still, as a love song dedicated to wife Amanda Shires — and the quiet acceptance that the Grim Reaper will inevitably end their story — it’s certainly no less emotional. Just four years after picking up five GRAMMY nominations for their transatlantic chart-topper “Love the Way You Lie,” unlikely dream team Eminem and Rihanna once again joined forces for another hip-pop masterclass. Traditional Appalachian folk song “O Death” had previously been recorded by the likes of gospel vocalist Bessie Jones, folklorist Mike Seeger and Californian rockers Camper Van Beethoven, just to name a few. The King of Pop picked up a whopping 11 nominations for his first blockbuster album, Thriller, and then converted seven of them into wins, including Album Of The Year. Considering how perfectly Mike Oldfield’s prog-rock epic Tubular Bells complements all-time classic horror flick The Exorcist, it’s remarkable to think that it was recorded before director William Friedkin came calling.
Rihanna, who has not released a full album since 2016’s “Anti,” voices Smurfette in the film. The songstress herself shared a sweet note on Friday, Aug. 29, thanking her fans and those who “gave me a chance over the years.” To celebrate her success in the music business and beyond, Rihanna is releasing “R20” merch and a vinyl album boxed set, which are available for pre-order on her official online store.
Rihanna has received multiple Grammy Award nominations for her albums, winning Best Urban Contemporary Album for Unapologetic in 2014. Two years later, she nearly doubled this feat, producing a whopping five No. 1 hits in 2010, including “Love The Way You Lie” with Eminem, “Rude Boy,” “S&M,” the Grammy-winning “Only Girl (In The World),” and “What’s My Name” featuring Drake. Known for her sexually provocative imagery and wild style, Rihanna made headlines for the sheer dress she wore to the Council of Fashion Designers of America (CFDA) awards ceremony in June 2014. On her Grammy-winning 2012 album Unapologetic, Rihanna turned out such hits as the No. 1 Sia-written tune “Diamonds” and “Stay,” featuring Mikky Ekko.
A daily briefing on what matters in the music industry Jan. 26, Rocky scored his first Billboard 200 No. 1 album in more than a decade with Don’t Be Dumb, which Rihanna celebrated via X, writing, “Just me here to let yall know my baby daddy got the NUMBER 1 ALBUM!!! While some fans are wallowing in their 10th year without a new Rihanna album, everyone’s favorite Bajan Bad Gal is celebrating the massive success her ANTI album has generated during that period. This is the second such soundtrack she has contributed to for an animated movie, recording several anthems for “Home,” a 2015 film she starred in alongside the “Big Bang Theory” star Jim Parsons.
Rihanna became the youngest and fastest solo artist in Billboard Hot 100 history to accumulate ten number-one singles. In late 2008, she released “Rehab”, the fifth and final single from Good Girl Gone Bad; it peaked within the top 20 of the charts in both the US and UK. The following singles, “Shut Up and Drive” and “Hate That I Love You”, saw moderate success, while the album’s fourth single, “Don’t Stop the Music”, peaked at number three in the US.
Adopting a more mature image, Rihanna rose to stardom and transitioned to dance-pop and R&B with the album Good Girl Gone Bad (2007) and its reissue, subtitled Reloaded (2008). Known for her artistic reinventions, she is an influential figure in both music and fashion. She’s closing a chapter of her life — saying goodbye to the heartbreaks, pleading and scrutiny — and embracing a new, well, era that was quietly created during the behind-the-scenes of The Eras Tour. At its heart, The Life of a Showgirl goes beyond the fame, accolades, praise, and anything else Swift has been awarded in her 20-year career. Swift herself has long embodied independence through redefining over and over what it means to be a pop star for over two decades.
To celebrate Taylor Swift’s newest era with The Life of a Showgirl, GRAMMY.com looks back on all of her albums (Taylor’s Versions not included) and how each era shaped her remarkable career. Swift has become one of music’s most notable shapeshifters by refusing to limit herself to one genre, moving between country, pop, folk, and beyond. Oh, and she’s also won 14 GRAMMY Awards, including four for Album Of The Year — the most ever won by an artist. Upon the arrival of Taylor Swift’s ‘The Life of a Showgirl,’ take a deep dive into her discography and see how each album helped her become the genre-shifting superstar she is today. And “Haunted,” a poetic lament to unrequited love (“Rose perfume, low-lit room/ I’ll pretend you’ll stay forever”) soundtracked by shuffling bossa nova beats and sultry strings, casts its most potent musical spell.
In December, Nancy will headline a celebration of her career featuring female artists including Renée Neufville. In August, she released a new Mad Professor-produced album, Armageddon — her first LP in over 20 years. Rihanna comes out of left field with the Prince-inspired “Kiss It Better,” the album’s second single, which sees the superstar falling back on addictive sex that “feels like crack” to justify a destructive relationship. The black-and-white, red paint-splattered album cover signals a rebirth, featuring a real-life image of Rihanna as a child. Released four years after Unapologetic — her longest gap between albums at the time — ANTI illustrated Rihanna’s greater desire for quality over quantity. With 13 No. 1s and twice as many top 10 hits under her belt, Rihanna set out to create timeless music instead of chasing a radio-friendly formula with her 2016 magnum opus, ANTI.
On “Father Figure,” she flips the power dynamic between a “showman,” someone who thought they were pulling the strings, and a showgirl. On stage, fans were seeing the same steadfast, resilient showgirl they were seeing throughout the tour perform three-hour sets. After The Tortured Poets Department provided insight into how she coped during the beginning of the tour while dealing with two relationships breaking down, producing tracks like “The Smallest Man Who Ever Lived” and “loml,” The Life of a Showgirl is a sharp turn in the other direction. The 12-track record is an amalgamation of what was going on behind the scenes throughout the latter half of The Eras Tour. Take a look at how tracks like “The Fate of Ophelia” and “The Life of a Showgirl” hint that Swift is happier and more inspired than ever.
The two officially dated again for a time, with Rihanna maintaining in a Rolling Stone interview that Brown had changed and that any form of abuse would be unacceptable. In 2009, Rihanna was the center of a media firestorm after a domestic violence incident in which her then-boyfriend Chris Brown assaulted her before an awards show. Prior to that, she was in an on-again-off-again romance with longtime collaborator Drake for more than 7 years, starting in 2009. Most notably, she owns the popular cosmetics line Fenty Beauty, which she launched in 2017.
It topped the charts in several territories, spending ten consecutive weeks at number one on the UK Singles Chart and seven at number one on the Billboard Hot 100. The album debuted at number two on the Billboard 200, selling 162,000 copies in its first week. Regarded as a turning point in her career, it marked a shift from the Caribbean-influenced sound of her earlier work, embracing a more contemporary pop direction driven by uptempo dance tracks. It became her first RIAA-certified double platinum album, surpassing one million units sold. Soon after releasing Music of the Sun, Rihanna began working on her second studio album in September 2005.
Looking at Lover retrospectively, it’s an album that almost symbolizes a bookend in her discography. Writing reputation became a lifeline following the events that catalyzed it — a way to shed the so-called snakeskin and make peace with however the public wanted to view her. And even despite matching the 1.2 million first-week sales of her previous releases, some concluded that the album was her first commercial failure when compared to 1989. Even after Swift spent some time away from the spotlight, the public didn’t immediately gravitate toward her return.
Redefining its titular term, the four-week chart-topper finds the husky-voiced T-Boz freely admitting to straying from an unaffectionate relationship, proving that the playa anthem wasn’t solely the reserve of their male counterparts. But the song itself did pip fellow superstars Prince, Billy Joel and Lionel Richie to the Best Male Pop Vocal Performance crown. Backed by some fast and furious fiddles, “The Devil Went Down to Georgia” tells the tale of a young musician named Johnny who bumps into Beelzebub himself during a jam session in the Peach State.
“Wood” and “Honey” capture the playfulness of true love, while songs like “WI$HLI$T” and “Elizabeth Taylor” see love not as a distraction from her life’s work but as the very thing that makes it feel meaningful. Many of the love songs on Swift’s more recent albums are brimming with anxiety, from Lover’s “Cornelia Street” (“I hope I never lose you, hope it never ends”) to folklore’s “Peace” (“The rain is always gonna come if you’re standing with me”). One of the biggest takes by critics — that borderlines on sexist at times — is that Swift won’t be able to write good, reflective music that cuts deep like the songs that orbit around heartache and pain.
No longer was she the girl writing songs like “Fifteen” in her bedroom — now she was working through becoming a highly publicized figure. Although Swift’s eponymous debut is underappreciated now — even lacking its own set on Swift’s Eras Tour — Taylor Swift’s forthcoming rerecording is arguably the most anticipated by fans, who are eager to hear the songs with the singer’s current and more refined vocals. The album’s lead single, “Tim McGraw,” an acoustic country ballad inspired by Swift knowing her relationship was going to end, represents an intricate part of Swift’s songwriting process; meticulously picking apart her emotions to better understand them. As a songwriter, Taylor Swift set the tone for what would be expected of her future recordings — all songs were written by her, some solely and others with one or two co-writers.
That year, fans also got their first glimpse of the pop superstar alongside Sandra Bullock, Cate Blanchett, and Anne Hathaway in trailers for Ocean’s 8, a female-led spinoff of the popular Ocean’s Trilogy which hit theaters in June 2018. It also spawned the popular radio hits “Needed Me” and “Love on the Brain.” At the 2014 Grammy Awards, Unapologetic won Best Urban Contemporary Album, marking the singer’s first win in an album category. In November 2012, Rihanna scored her first No. 1 album with Unapologetic. The pop star delivered her next effort, Talk That Talk, in November 2011. Rihanna returned back and better than ever in November 2010 with her fifth studio album, Loud.
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